Raven Wilkinson: The first African American to be a member of a major ballet company in the United States
When Raven Wilkinson was about five years old, her mother took her to the City Center Theater to see the Ballet Russe de Monte Carlo. The ballet was Coppelia and when the curtain opened, Raven was enraptured by what she saw on the stage. From New York City, her mother was influential pursuing ballet training for her. Wilkinson began studying with a well-known Russian dancer when she was nine. After being inspired by seeing Janet Collins on stage in the early 1950s, she left school in her teens to pursue ballet full time.
When the director of Ballet de Russe purchased Monte Carlo, her ballet school the students were invited to try out for his company. Sergie Denham, director of the school and company, was impressed with Raven’s progress. He offered her a strange proposal: Denham wanted her to be part of the company without a contract. He told her that there was another girl in Chicago he wanted to see before giving her a contract. Raven felt they wanted to see how she would be accepted in the south. Raven made it clear that she would not advertise that she was black, but she would not deny it either. When they got to Chicago without any problems, it turned out that there was no other girl.
In 1954 they gave Raven a full contract, making her the first African American to be a member of a major ballet company. In the second season she was promoted to soloist, and stayed with the company for six years. On a tour of one-night stands she roomed with Eleanor D’Antuono. For two years there was no problem until a black elevator girl recognized her as African American and reported her to the management in Atlanta, Georgia. Even though she had roomed at the same hotel in the past, the clerk wouldn’t let her stay. They called a cab to take her to a black hotel. Eleanor was going to go with her, but because of segregation Eleanor wasn’t allowed to stay in a black hotel.
In Montgomery, Alabama the KKK heard there was a person of color performing in the theater. During rehearsal they marched down the aisle in their white robes and on to the stage. They asked each group of girls if they knew which one was a negress; no one would answer, even in her group. That night Raven danced in performance. When the season was over they didn’t fire her but suggested that she had gone as far as she could in the company. Raven was tired after six years of one-night stands, and she took this as a sign that it was time to leave. Getting another job as a dancer was very difficult, so Raven, who had always been a devout Catholic, joined a convent. After eight months her love for ballet and theater made her realize that the stage was where she wanted to be. Raven found that no other major ballet company would hire her, even though she was willing to go back into the corps de ballet. In 1967 she went to Holland and became a soloist with the Dutch National Ballet.
Source
I NEVER KNEW THIS
I NEVER KNEW THAT WAS WHAT AMERICANS MEANT WHEN THEY SAID “QUITE”
WHY DIDN’T ANYBODY TELL ME
SUDDENLY THAT ONE SONG THAT GOES “HELLO I MISS YOU QUITE TERRIBLY” MAKES LIKE A MILLION TIMES MORE SENSE
are you serious british people
i feel like this means i’ve been overestimating your enthusiasm about things for my entire life
Americans use ‘quite’ as a large adverb?! Jesus…
odd
im not mysterious or super smart or talented or indie or whatever
but i still think theres something special about me
if i dont sound egocentric when i say that
on a scale of 1 to america how free are you to go on a date with me
north korea
panem
(Source: sidneycrybaby, via ghostword)
“No story lives unless someone wants to listen.”
Today marks 15 years since the first publication of Harry Potter & the Philosopher’s Stone
(via clarys-jace)